Contemporary religious art

La Valla, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
La Valla, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
The Pledge of Fourviere, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
The Pledge of Fourviere, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
Marcellin and the Dying Child, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
Marcellin and the Dying Child, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
The May Miracle, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
The May Miracle, 2016, tempera on board 156 x 74cm, Marist Centre Sydney
I have always wanted to paint Yellow Christ by Paul Gauguin, 2013, triptych, tempera, gold leaf, gesso on board 100 x 70cm each of the three panels, private collection Rockhampton, QLD
I have always wanted to paint Yellow Christ by Paul Gauguin, 2013, triptych, tempera, gold leaf, gesso on board 100 x 70cm each of the three panels, private collection Rockhampton, QLD

Yellow Christ Resurrection Triptych

Ever since my youth I have been strongly drawn to the imagery of the Crucifixion. This fascination led me to explore the theme through my artwork during my student years. This continues to be one of my major interests in art.

Among the numerous depictions of this dramatic event, Paul Gauguin’s “The Yellow Christ” immediately struck me as a powerful and unforgettable image.

For years, I felt an intense desire to create my own artistic response to this painting. In 2011, I finally embarked on a diptych dedicated to Yellow Christ. The diptych was showcased as a finalist in the 2011 Blake Prize for Religious Art and the third piece was conceived a bit later, thus forming a triptych titled “Yellow Christ Resurrection Triptych.”

In 2013 I had a chance to visit Pont-Aven in Brittany, France where Yellow Christ was painted and the little nearby chapel with the wooden Crucifix being the inspiration to Gauguin for this seminal work. Retracing the artist’s footsteps and revisiting his creations, I would finally reach the Marquesas where Gauguin has left his body. His artistic legacy, however, is with us forever.

The imagery of the Yellow Christ is still enormously powerful for me and I keep using it occasionally in my own art, incorporating it in unexpected contexts.

 

Michael Galovic, 2023

The Resurrection Triptych, 2020, each of the three panels 120 x 90cm, tempera and gold leaf, Rosemeadow Parish, Sydney
The Resurrection Triptych, 2020, each of the three panels 120 x 90cm, tempera and gold leaf, Rosemeadow Parish, Sydney
St Elijah, 2014, mixed media on board 120 x 90cm, Australian Catholic University Collection
St Elijah, 2014, mixed media on board 120 x 90cm, Australian Catholic University Collection

iconographer & artist